
This
Silver Leaf Decorative Object (contact dealer for price) is eye-catching even in this photo, with its drab gray background. Made in the 1950s, it stands three feet tall and two feet wide, so it's bigger than you might expect.
So for this
challenge, I'd like you to tell me how you'd use this unique sculptural object.

If you're lucky enough to be in London right now, head over to Saint James Square to check out the stainless-steel sculpture "Balloon Flower (Magenta)," by artist
Jeff Koons, who's known for his public art and whimsical, childlike sculptures. The giant sculpture, which does indeed look like shiny twists of balloons, will be exhibited for the next 10 days in Saint James Square in London, England. The sculpture, which has an estimated worth of around $23.6 mllion, will be auctioned at Christie's Post-War and Contemporary Art Evening Sale on June 30.
I spend so much time looking at furniture and accessories that sometimes I forget that what really builds a sophisticated home is having unique, original artwork. In this dining-room photograph by
David Giles, I'm loving the free-standing botanical sculptures that resemble children's drawings made to scale, a bit like
Yeondoo Jung's photographs. The room is otherwise very minimal, painted entirely bright white, furnished with a simple white table, and accessorized with fruits and flowers.
Maybe you're absolutely in love with this Big Foot Sculpture ($98.95) and can't wait to put it in your garden. My guess is that that's likely not the case, though (even Giggle found it tacky). So, what would it take to put it in your garden or yard?

If you're visiting San Francisco in May — or if you're lucky enough to live here — definitely make a stop at the Asian Art Museum to see artist Zhan Wang's installation
On Gold Mountain. For this exhibit, Wang uses rocks from the foothills of the Sierra Nevada to create the sculptures,
which are"alluding to the nineteenth-century Chinese immigrant experience of mining gold during the California gold rush."
However, what I find equally intriguing is the cityscape of San Francisco that he created entirely out of stainless steel cooking items.
Both installations comment on California's past and present need for Chinese labor and goods — whether it was during the Sierra Hills' Gold Rush or in present-day San Francisco restaurants and kitchens.