Having worked as a studio assistant for Jeff Koons, an art director at Ogilvy and a designer for Karim Rashid between '95 and '01, Jason Miller decided it was time to step up his game and start his own design studio in Brooklyn — and he wasn't getting ahead of himself. Miller has pinned solo exhibitions all over the map, from LA to Tokyo, and everywhere in between, and been applauded with prestigious awards like Bombay Sapphire's "Rising Star" award and Wallpaper's "Best Breakthrough Designer" award, and named a "Tastemaker" by Forbes for his quirky contemporary designs, be it furniture, interiors, or bus stops. If that weren't enough of a pat on the back, his work is in the Permanent Collection of New York's Museum of Arts and Design, and he's got clients like Areaware, Persol, Brookstone, Carlo Rossi, Kikkerland, and Idee at his beck and call.
If you can't place his name, I'll give you a nudge by reminding you of his Ceramic Antler Chandelier, which single-handedly started the hunting trend that The New York Times has so lovingly already pegged "over." A brief glance at his portfolio, marked by low-res photos used as background for projects with titles like "Whatever Flowerpots" and "Dusty Tables," and you'll probably think a: he has no design experience or b: he's got to be joking.
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