
This very realistic, glazed, ivory porcelain
skull ($439) was designed by Bavarian sculptor Franz Ignaz Günther in 1756, well before skulls were cool. It is still produced today by the same Munich-based porcelain manufacturer, Nymphenburg. Given that it was designed as more of a sacred figure than a
trendy home accessory, does it appeal to you?

Whenever possible, you should try to create a home (and office) that is "free of tree." Considering that
most of you use cloth napkins and towels, you're probably well on your way. But, when it comes to giving yourself reminders, and jotting down notes, I'm going to venture to guess that many of you probably still use paper (Post-Its, notepads, journals, etc.). If it didn't scream "college dorm room," I'd suggest using a dry-erase board instead, but unfortunately the memories of freshman year run thick wherever dry-erase boards hang.

I'm a sucker for vintage glassware and pottery, so these
reproduction milk bottles ($30) are right up my alley, having been hand-cast from antique half-pint glass milk bottles. They remind me a bit of Jonathan Adler's
Druggist Collection, with their smooth white surfaces and cheeky printing.
These reproduction milk bottles are from Etsy seller Alyssaettinger, and were modeled after bottles from Concord Dairy.
David Wiseman works in a variety of mediums including wood, porcelain, crystal, and bronze, and is inspired by the subtleties in nature, like the texture of bark or the pattern of moss growing on a rock. His designs, which can be found on a tabletop, wrapped around a fireplace, or dangling from the ceiling, highlight these organic details, and bring a romantic, Sleeping Beauty-esque woodland quality indoors. His bronze branches, which sprout porcelain blossoms, are kindred spirits of midcentury bronze wall sculptures, but have a timeless sophistication that supersedes them.

The folks at Rose and Radish recently took a trip to Munich to visit the Royal Bavarian Porcelain Manufactory Nymphenburg, which has been one of the world's finest producers of porcelain for 250 years. In the shop's journal, they wrote, "One of the greatest parts of the Munich trip was being able to use the porcelain during the entire visit. Our favorite snack was gummi bears on the Ted Muehling Bird's Wing Dish." While the thought of them eating candy off of such a delicate dish is a nice one, it doesn't do me much good.

The
Jorine Oosterhoff Mad Hatter ($250 each) set is aptly named, as my mind immediately jumped to Alice in Wonderland when I spotted it. Created in porcelain, Dutch designer Jorine Oosterhoff says of her designs, "My products become characters, like individual things that seem to live their own life. They have their own identity and personality.

If you haven't noticed, I'm anticipating a trend here, with my coverage of
alternative crochet work,
subversive lace, and now, edgy porcelain. It's as if a punk-rock grandchild raided her grandma's attic and added some 'tude to traditional, feminine styles.
The Brooklyn-based designer Sarah Cihat did just that when she asked metalsmith Michael Miller to dress up the hand-cast porcelain bowls and vases from her
new Dirt collection.

Even if you're a coffee person, the
Viva Terra Porcelain Branch Teapot ($34, reduced from $69) is so woodsy and whimsically beautiful, I'd endorse using it just for decoration. Or, you can cut the stems of your favorite bouquet short, and fill it for a fresh, Spring-y centerpiece. It's true, the cream and sugar set is sold out, but I think the
Michael Aram Twig Sugar and Creamer Set ($40) would work marvelously with it.

These
Porcelain Animal Decorated Serving Bowls ($2,139 to $3,339) are a collaboration between
Hella Jongerius and
Nymphenburg. Made of the highest quality porcelain with exquisite detail on each animal design, they might be just a little too lifelike. What do you think?

I know this
Rosanna Kings Road Porcelain, $30-$40, is named for kings but I go ga ga over anything with rich, golden crowns on it. Does that mean I have a queen complex. Anywho, I bought these plates after I perused the recent
Vivienne Westwood exhibit at the De Young museum in San Francisco.